Current Issue

Issue 13 - 2019 Dialogue and Communication in Film

Editorial

Editorial: Dialogue and Communication in Film

Evelina Kazakeviciute
- PDF (EN)
04 Feb 2019

0 (13):1-10

Articles

‘English, motherfucker, do you speak it?’ Pulp Fiction and the Future of Film-Philosophy

Kyle Barrowman
- PDF (EN)
04 Feb 2019

0 (13):11-29
Fighting Talk: Martial Arts Discourse in Mainstream Films

Paul Bowman
- PDF (EN)
04 Feb 2019

0 (13):30-50
Mapping Subtext by Using Thematic Coordinates

Paolo Braga
- PDF (EN)
04 Feb 2019

0 (13):51-69
‘I wouldn’t trust no words written down on no piece of paper’: Jim Jarmusch’s Dead Man, Jacques Derrida and the Critique of Logocentrism

Evelina Kazakeviciute
- PDF (EN)
04 Feb 2019

0 (13):70-92
Essay Film as a Dialogical Form

Naz Önen
- PDF (EN)
04 Feb 2019

0 (13):93-103
Seeing Oneself Speak: Speech and Thought in First-Person Cinema

David Sorfa
- PDF (EN)
04 Feb 2019

0 (13):104-121

About this Journal

JOMEC Journal is an online, open-access and peer reviewed journal dedicated to publishing the highest quality innovative academic work in Journalism, Media and Cultural Studies.

Current Issue

Issue 13 - 2019 Dialogue and Communication in Film

Editorial

Editorial: Dialogue and Communication in Film

Articles

‘English, motherfucker, do you speak it?’ Pulp Fiction and the Future of Film-Philosophy

Fighting Talk: Martial Arts Discourse in Mainstream Films

Mapping Subtext by Using Thematic Coordinates

‘I wouldn’t trust no words written down on no piece of paper’: Jim Jarmusch’s Dead Man, Jacques Derrida and the Critique of Logocentrism

Essay Film as a Dialogical Form

Seeing Oneself Speak: Speech and Thought in First-Person Cinema

About this Journal

Seeing Oneself Speak: Speech and Thought in First-Person Cinema

Essay Film as a Dialogical Form

‘I wouldn’t trust no words written down on no piece of paper’: Jim Jarmusch’s Dead Man, Jacques Derrida and the Critique of Logocentrism

Mapping Subtext by Using Thematic Coordinates

Market(ing) Activism: Lush Cosmetics, Ethical Oil, and the Self-Mediation of Protest

Debaters of the bedchamber: China reexamines ancient sexual practices

‘Schatzi’: Making Meaning of Diaspora

From "celluloid comrades" to "digital video activism”: queer filmmaking in postsocialist China

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